Beyond the mainstream. Beyond the spectacularization of fashion. Once the two aspects have been overcome, not only metaphorically but also as a conceptual act, we identify the textile industry as interesting as well as the aesthetic value that they add to each of their creations, especially for the idea of ​​what the word fashion is, expressing it in contemporary way, based on what it has meant in the past: discipline, experimentation and seriousness. Bearing elements of brands such as Giorgio Armani and Gianfranco Ferrè. Luca Larenza, Lucio Vanotti and Vìen, humbly enter the group, adding each their own knowledge and taste.

Luca Larenza ss19 sketch

The trio is one of the protagonists of the four days of events, fashion shows and presentations of the men’s spring-summer 2019 collections women’s cruise, debutants tomorrow, Friday 15 June in Milan. Larenza, already at Pitti Uomo, welcomes buyers and press on Saturday 16 June from 17 to 21 in via Manzoni 45, in full quadrilatero. Since its beginnings a few years ago, he continues his career making use of knitwear as an expressive medium. This time it is ultra light, in cotton and embellished with jacquard and inlay patterns, one part in jersey and one in knitted fabric stitch; the package is decorated with inlay, with the floating point technique, embroidered or overprinted vinyl effect.

Lucio Vanotti ss19 sketch

In another area, that of Isola-Garibaldi, Vanotti‘s collection is unveiled. The location is the avant-garde of 10 Corso Como and the save the date falls tomorrow, Friday, June 15 from 17 to 20. The Bauhaus school – whose principles are to define an object not only from the point of view related to its beauty, but also to the functionality, so craftsmanship in making it happen – he interprets the opulence of the hip hop movement, according to the point of view of the creative designer from Bergamo. Thus giving life to a new interpretation of the aesthetic codes that this subculture has taken and given to fashion. Simple geometries make up harmonious and functional architectures in which the alternation between primary colors and pastel shades highlights the overlaps. The garments are sectioned, they lose components and move others, showing off the designer’s ability to destroy and rebuild. Denim – used masterfully as a concept fabric in the winter – shows a new delicacy and cotton plays to imitate it. Lines and squares make up vichy materials, classic pinstripes, prints and jacquards.

VìEN ss19 sketch

Vìen closes the excursus by showing Sunday 17, at 12 at the former Cinema Arti in via Mascagni 8. The Apulian brand interprets the current clothing style by quoting Monsieur Dior and his new look, with a classic tartan tunic of the Masaai tribe Africa. Here the indigenous world meets the urban one in which one dresses casually with used clothes sent from Europe, almost alluding then to shots of the work done by Simon Foxton in the 90s. Everything is translated into a light and draped skirt, worn under an oversized waistcoat tight at the waist: a hybrid hybrid of Vìen, where structured geometries typical of the 80s meet the contemporary and singularly sketch the figure of the woman.

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L'articolo Milano Moda Uomo: some previews by contemporary designers sembra essere il primo su Wait! Fashion.

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Puma has extended its Thunder line introducing the new Desert model. This silhouette shares a similar profile to its predecessor, the Electric. Unlike former iterations the upper of the Thunder Desert is accented with varying materials to add dimension.

The sneaker is set to arrive in four summer shades: “Particle Beige,” “Mint,” white and black. Suede and textured leather overlays complete the runner which sits on a stacked midsole.

L'articolo Puma has extended its Thunder line introducing the new Desert model sembra essere il primo su Wait! Fashion.

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Maison Kitsuné has teamed up with the famous magazine Toilet Paper for its latest collection, shot by artist Maurizio Cattelan and photographer Pierpaolo Ferrari.

Featuring everything from T-shirts to sweatshirts with bold prints and graphics, the imagery in the collection all represent a scientific experience and “challenges the limits of fashion as art.” From cute cats to brain motifs, there’s no shortage of evocative prints in the capsule.

All coming in a limited color palette of black, white, red, yellow and blue, the pieces are bold and perfect for elevating any look this season.

L'articolo Maison Kitsuné x Toilet Paper, the new capsule collection sembra essere il primo su Wait! Fashion.

Pence 1979 ss19

Today inaugurates the Menswear Fashion Week in Milan and closes the ninetieth edition of Pitti Immagine Uomo in Florence. Like every year Wait! Fashion is present and among the brands that have caught the attention there is certainly Pence 1979, a made in Italy reality whose collections are designed by the fashion designer Dora Zecchin.

Pence 1979 ss19

The male wardrobe for the upcoming summer season, designed by the creative, contains the imaginative inspiration “from the African landscapes and the evocative colors of their sunsets, characterized by an explosion of reds, violets, yellows, blues.” She tells Zecchin. And in fact, while maintaining the minimal shapes and the tailor cuts, typical of the company’s aesthetic trait, shirts, jackets, t-shirts and trousers light up colors and flavors found on the continent bordering on our own, but divergent for cultures and customs.

Pence 1979 ss19

“The novelty of the collection is the return to the origins of the brand, choosing as protagonists the fabrics that almost all are the same for both men’s and women’s collections.” Thus emerges the concept of an a-gender fashion, very in vogue, despite recently it seems to be the romantic allure of other fashion brands to keep up. Among the items to mention are the sweatshirts and t-shirts made of fine Japanese jersey decorated with embroidery of monkey’s party and Ndebele dolls, to which are added “the special denim canvases of the five pockets in orange, violet and mud”, making part of the capsule collection with the typical fabric of jeans.

Pence 1979 ss19

Beyond the technicalities, what you like about this collection is its light, fresh being. Made not only according to trends but also recovering the essence of Pence 1979, a brand capable of reinventing itself over the years with cunning and courage, knowing how to be itself despite the critical weight of time.

pence1979.com

L'articolo From Pitti Immagine Uomo 94°: Pence 1979 spring-summer 2019 sembra essere il primo su Wait! Fashion.

Breaking news: Off-White launches a capsule collection with TheDoubleF, the e-commerce renowned for its cool drops. The Off-White c/o TheDoubleF line is scheduled for early summer although the exact release date hasn’t been confirmed yet. Stay tuned!

To keep you busy while waiting, we are sharing a preview of the graphics chosen by Virgil Abloh for the special project that will include unisex pieces in full Off-White spirit: street minimal lines with lots of identifying symbols. Available for sale exclusively on the e-shop, the capsule features contrasting stitching and TheDoubleF’s recognizable green pantone.

Stay tuned!

L'articolo Breaking News: Off-White™ x DoubleF, unveiling the coolest collaboration of this season sembra essere il primo su Wait! Fashion.

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For the 2019 Spring/Summer Collection, Panizza is set to present a trilogy of new lines of hats for the 94 th edition of Pitti Immagine Uomo.

The classic panama and straw creations in the main collection, in optical white or natural straw, are enriched with striking bands and exceptional trimmings along the brim.

The artisan skill of master haners emerges in all aspects of the creations, from the most varied crown forms (fedora, squared, round) to the width of the brim-straight, sloped, arched.

Fine knits are the absolute stars of the collection, being in particularly resistant and elastic weft straws with bicolour and tricolour results for entirely original hats that enrich the traditional classics, giving a dash of “Tuscan styling” that is bold and persistent.

Overall, the collection is designed to invoke a colorful and youthful mood, with each hat being easy to wear, whilst the great classics maintain their utmost elegance. Also included in the range is headgear in Asian straws that are foldable, to be carried in a pocket or suitcase, without altering the shapes.

To conclude the summer offering is a prestigious collaboration that sees the company co-branding with that of Gianni Campagna, a historic Milanese luxury tailor famed all over the world. This reputable coupling has resulted in the Panizza Gianni Campagna Limited Edition capsule collection, comprised of fabric items to celebrate the passion that the well-known tailor has for his homeland of Sicily. Gianni’s daughter Virginia Campagna has united with Laura Gamba, heir of the Panizza company, to collaborate on the creation of this homage to the great talent of the Italian tradition, presenting four hat models: Taormina, Portofino, Positano, Cernobbio, forged in the Panizza hat workshop with an exclusive selection of fabrics from the prestigious Gianni Campagna archive.

L'articolo Wait@Pitti 94: Panizza SS19 sembra essere il primo su Wait! Fashion.

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Versace‘s Spring/Summer 2019 Men’s collection is a wild collage of clashing patterns, rave-inspired colors and timeless glamour.

On Saturday (June 16), designer Donatella Versace put on a jaw-droppingly stunning show featuring bold menswear and womenswear silhouettes that remind of us the club kids.

From a tabloid-ify Versace logo T-shirt, to all-over snakeskin and floral prints, the details were aplenty.

The accessories were also to die for — think graphic-covered bucket hats, bright-colored headscarves, belts with oversized buckles, statement earrings and mini crossbody bags.

In addition to Donatella Versace’s signature thigh-high boots and strappy heels, the runway also saw a lineup of new Chain Reaction sneaker colorways, ranging from red to highlighter green.

L'articolo Rave and timeless glamour for Versace SS19 sembra essere il primo su Wait! Fashion.

Massimo Alba p-e 2019, uomo

Each country has specific somatic features, linked to its geographic conformation, to the territory. A land of North Africa, is recognized mainly for the desert dunes, the small houses, tending to a pale color, sometimes ivory, others more lively, but still without diverting attention from the beyond offered by nature. On the other hand, other south regions of the continent are more fertile, they have the unique possibility of seeing and experiencing the passage of the seasons. There are identifiable habitats for a single element, maybe two: the lake region in Finland, the Amazon rainforest. Unicum on the whole planet. Italy has in just 1300 kilometers, and on a reduced scale, all the elements mentioned above which, together with the sea that surrounds it, contribute to make it a singular reality, unparalleled. Massimo Alba takes creative inspiration from it and its Mediterranean for the creation of the menswear collection for next spring-summer.

Massimo Alba p-e 2019, uomo

The literature remains a confirmation, for the occasion is Italian, or rather, meridian. After David Foster Wallace and Italo Calvino, pens to which the brand has been linked in the past presentations, it is in fact the work of the Neapolitan writer Raffaele La Capria the starting point signifying the new work of the Milanese designer. He “lived as a boy in Palazzo Donn’Anna,” a wonderfully Neapolitan seventeenth-century palace, where you can portray all the history of Naples, and living in that building my relationship with the sea was very great … I could dive into sea ​​from the window “.” It is with the image of the author as a young man – now he is splendidly 95 years old- that Alba observes as in a Bertolucci film the same man, living his contemporaneity in an authentic way, through the experience of everyday life. “A boy watching the sea from the window of his house, almost blinded by all that light, from the splendor of that Eden: he dives from the window directly into the water of the sea, into the blue that reflects the light of the sun, and when finally reappears has become a writer. ” The creative explains.

Massimo Alba p-e 2019, uomo

But beyond the poetic aspect, much felt and unconscious presence in each collection, since it is inherent in the Alba’s fabula, what remains significant is, in addition to the strictly Italian production and precious fabrics, what has been written about the typical aspects of the territories, concept to be matched with that of fashion, as the company interprets it. Whatever the starting point for the embedding of a new stylistic project, the basic elements always remain the same: sobriety, essentiality. Quality.

Massimo Alba p-e 2019, uomo

The brand presented the new proposals during the Men’s Fashion Week in Milan few days ago, where once again the same aesthetic pattern was imposed by marketing and social networks, where the affirmation of self no longer passes through culture but the tilling of a desperately homologated image. The paradox lies in the fact that placing itself ideally outside of this mechanism – not in absolute terms, however, having its own account on Instagram and a new e-commerce website – especially from the point of view of the approach as distinct as strongly expressive, Massimo Alba manages to emerge, to create around itself a clientele capable of discerning the two worlds, the one now in disarray and the one well rooted in its naturalness, identity. There is in fact an analogy between the person Alba and his way of expressing himself through clothes, gestures. The same photographs of each collection express what for our country is its shape, memory for us. Quoting La Capria: “The lines of a landscape, the green of a hill, a mirror of the sea, speak to us over time, remain etched in us, become time and speech, a part of our existence.” Authentic.

Massimo Alba p-e 2019, uomo

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L'articolo Essence, identity: Massimo Alba presents the men’s spring-summer 2019 collection sembra essere il primo su Wait! Fashion.

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For the spring/summer 2019, Andrea Pompilio puts on stage the memory of a summer in Rimini, making contemporary a typical holiday scenario of the 80s.

The collection presents different characters, each with its own story to tell, from the guy who walks towards the beach with his zipped shirt with Hawaiian prints, to a French tourist in oversize démodé suit in his vintage car, up to a guy who whizzes on his bike, with a cotton biker jacket with contrasting stitching. There is also the uniform of the gas station of the time, from which the designer is inspired to revisit a jacket with the logo Andrea Pompilio in the form of a plate, combined with shorts and t-shirt, following his thought that “fashion is fun, freedom of expression and should never be taken too seriously “.

The relaxed attitude of the beach is reflected in the proportions of the garments, both on the oversized canvas trenches and on the oversize but padded shirts, in raw cut cotton or semi-transparent nylon. The trousers are worn together with sleeveless gilet, with jackets in houndstooth or multicolor sweaters. Striped and embroidered t-shirts alternate with extremely versatile jackets.

Andrea Pompilio with this collection brings to light his ability to observe the world around him.

And it is in this wake that the details are the masters, as the vintage braces that are transformed into elastic belts or the macro labels in ivory grosgrain, rubber printed with the know-how of the tradition “Andrea Pompilio 100% Made In Italy “.

His journey ends with shoes, protagonists of a timeless fashion, such as tricolor derby with studs, training made of padded nylon in bright colors or pony skin and sneakers in black leather with white laces and contrasting soles that reminiscent of racing motorcycle boots.

L'articolo It’s holiday time with Andrea Pompilio SS19 sembra essere il primo su Wait! Fashion.

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For the 94th edition of Pitti Immagine Uomo, the Wolm brand proposes for the summer 2019 a women’s and men’s collection, rich in proposals and energy.

The collection presents an evolving 3.0 streetwear soul, starting from an American street, but with a wider opening with fashion content.

The main concept that Wolm wants to express is that of the opposite, an ambivalent contrast of the same soul, made clear and immediate by the rich graphics full of contents, prints and embroideries.

Both for men and women, we find the same themes starting from racing, characterized by elements that recall the world of motorcycles like piping, important zips, combinations of full and gaudy colors with prints that recall the logos of the sponsors or teams .

The American college theme, on the other hand, is updated by prints with maxi writing with a street flavor, combined with feminine materials such as organza, simple or embroidered with lurex stripes, while the man is enriched with a Hawaiian all-over fantasy and prints combined with patches made with sponge and satin stitch embroidery.

Wolm‘s desert inspiration is of military cut and is enhanced by the all-over animal print with khaki base, for women, while unisex we find all over digital prints with burnt effect, all enriched with fluo details.

L'articolo Wait @ Pitti 94: Wolm SS19 sembra essere il primo su Wait! Fashion.

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Kappa Kontroll has released a new lookbook for its Fall/Winter 2018 collection.
Streetwear basics and relaxed silhouettes dominate the line which pulls inspiration from “the performance technology DNA of the brand.”

The Kappa Kontroll men’s line features half-zip pullovers, joggers and puffer jackets that are ideal for the cool weather. An anonymous designer duo teamed up to develop a new creative direction for the lightweight skiwear introducing a thermal camera color palette.

“Absolute Body Kontroll” represents a step towards a new future in fall clothing.

L'articolo Kappa Kontroll releases the FW18 lookbook sembra essere il primo su Wait! Fashion.

Luca Larenza p-e 2019

It is not unusual for a creative to choose the classics of art and literature. The two disciplines are in fact known to be the inspiration of fashion creators since the early years of the twentieth century, when they stopped playing as elitist subjects, thus becoming part of a larger society ready to welcome them. Just think of Yves Saint Laurent, and his clothes inspired by painters sometimes distant light years by stroke and concept, like Mondrian and Braque. This is how Luca Larenza, founder of his eponymous men’s clothing brand in 2011.

Luca Larenza p-e 2019

The men’s collection for the next summer is inspired by the Triptych of The Garden of Delights by Hieronymus Bosch (1503) and Paradise Lost (1667), an epic poem by John Milton, narrating the biblical episode of the temptation of Adam and Eve by Satan, and the consequent expulsion from the garden of Eden. And it is the desire to escape, to conceive life as a luxury that we can never take for granted the fulcrum of every piece conceived by the designer. So, alongside a continuous pack of lines and color blocks – the brand’s signature since the beginning – he has developed a seafaring theme with fantasies depicting ancient sirens drawn from medieval miniatures, corals, backdrops, fish and intertwined ropes in the form of double L.

Luca Larenza p-e 2019

Presented in Milan during the last Fashion Week Men’s, Larenza’s fabric and silhouette portfolio proved to be a winner. To confirm this, it is not only his ability to impress positively in the colors and fabrics used, emphasized by a hand embroidered on an ultralight cotton knitwear and enriched with jacquard patterns, on one side in jersey and one in knit made in fabric stitch; all decorated with inlay, with the floating stitch technique, embroidered or overprinted, for a vinyl effect, but also the announcement of a production agreement with the company Lom Fashion of Monteprandone (AP) – specialized in outerwear and knitwear high range – owned by the Mancini family, active in the textile sector since 1968.

Luca Larenza p-e 2019

Made in Italy is fundamental for the creative, originally from Caserta. And it is also the key, it seems, of his success, albeit a niche, and perhaps it is good. His creations are in fact for connoisseurs, for men who respect craftsmanship and prefer to dress the quality to which is added, in the case of Luca Larenza, a pinch of irreverence, as elegant as it is ironic.

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L'articolo Fashion, a delight: Luca Larenza spring-summer 2019 sembra essere il primo su Wait! Fashion.

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Marni’s creative director Francesco Risso favours unconventional narratives. For his last spring collection, he followed a ‘little boy lost’ character who had seemingly commandeered his father’s wardrobe to eclectic effect.

This season for SS19 he took sport-luxe to a new conclusion, combining influences from multiple sports to create pieces suitable for a surreal sports day. The result was the balancing: ‘the thin and the chubby, the tall and the short’. From cricket to tennis through racing, ‘everything counts, in large or small amounts’.

The Marni collection blended nostalgia with the present day, with looks featuring vintage-inspired boiled mohair jumpers presented alongside shirts with electric abstracted prints.

In typical Marni spirit, there were no real rules and as for pattern and colour, more was more. Clothing was oversized and loose, obscuring the silhouette of the wearer as much as the occupations of the players.

L'articolo Marni SS19, the sport elation sembra essere il primo su Wait! Fashion.

Vans has released a new “Color Theory” collection that includes minimal, unisex footwear and apparel. The Authentic, Classic Slip-On, Sk8-Hi, and Old Skool are updated in five key colorways for the summer.

Black, “Bleached Apricot,” “Dry Rose,” “Corsair” and white hues are used to establish a subtle profile. Sweaters and hoodies are printed in the same colors with minimal branding on the front and sleeves.

On June 27, both the apparel and footwear will be available at Van.eu or in Vans retail stores across Europe.

L'articolo Vans releases the new “Color Therapy” collection sembra essere il primo su Wait! Fashion.

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The spring / summer 2019 Fendi season is characterized by a strong evolution that is reflected in luxurious sports looks, caps and bags.

The guest Nico Vascellari brought Silvia Venturini Fendi to have a new eye for the last season, with prints and pop logos. Vascellari’s obsession with anagrams and mythology shines through his art, transforming the Fendi logo into FIEND, and ROME in AMOR with playful indifference. Reinterpreting the signature brand, Vascellari celebrates the way in which it is possible to play with the recognizable, transforming the double FF into a naive watercolor and clashing with the color palette.

Details like clawed frogs and horned demons create mosaic patterns on dresses and accessories, decorating embroidered patches, printed t-shirts, satin shirts and the new Peekaboo X-Lite bag, there is different creativity and powerful fun all around.

Fun, fresh and always immersive, Fendi has given us some important trends that we can not wait to try.

L'articolo Anagrams and dualism for Fendi SS19 Menswear sembra essere il primo su Wait! Fashion.

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Virgil Abloh‘s highly-anticipated Off-White Spring/Summer 2019 collection at Paris Fashion Week is finally here. The presentation which paid homage to the late graffiti artist, Dondi White, featured vintage silhouettes and “DONDI” emblazoned on garments.

Pop culture-references also were heavily a part of the range. The Simpsons‘ beloved character, Bart, was pictured on two T-shirts. A nod to the ’80s and ’90s was evident in the oversized workwear-inspired denim, sequin separates and tees with bold graffiti prints.

The Off-White SS19 collection was rounded out by the chain-heavy accessories, and a Rimowa x Off-White suitcase being styled as a backpack, with heavy metallic accessories worn around the neck and clipped to belt loops.

An Air Max 97 design appeared in light grey with a multi-colored swoosh and another similar model was seen in black. Also seen in the array of sneakers was a custom Virgil Abloh x Nike Blazer with white branding and a white Swoosh.

Additionally, the runway presentation highlighted a possible new collab with Dr. Martens, the branded loafers had Off-White’s signature zip tie.

For more informations visit Off-White website

L'articolo Off-White™ brings the rebellion to the catwalk for its SS19 sembra essere il primo su Wait! Fashion.

We11Done is the in-house label by Seoul’s ultra-cool store, RARE MARKET, but recently it hasn’t been confined to it s home base, but it’s been spotted as prestigious retailers like Farfetch, Selfridges and Net-A-Porter. Renowned for its elevated, streetwear-inspired pieces, the label has fast become a global fashion force.

The latest We11Done accessory that’s grabbed our attention is this simple, yet incredibly on-trend shopping bag. The minimalist accessory is cut from clean PVC and has a completely see-through interior, so you’ll be forced to keep all your belongings curated and organized. The spacious bag has plenty of room for your essentials and is the ideal piece for fans of minimalism. Completing the look is We11Done’s text logo printed on the front in black and two practical carry-handles. It’s the perfect alternative to Céline’s coveted plastic shopping bag.

You can grab We11Done’s plastic tote bag now exclusively at Selfridges for $187.

L'articolo Well11Done releases its plastic shopping bag sembra essere il primo su Wait! Fashion.

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Stussy and Dr. Martens have unveiled a new collaboration for the summer season. The Penton Loafer arrives in four new colorways that have been crafted from premium materials.

Green, black, white and red shades cover the cozy loafers. Smooth leather and a faux crocodile material are used to craft the luxe upper. Yellow welt stitch threading appears on the top of the midsole adding a classic Dr. Martens detail. An Airwair sole completes the low-top shoes.

The new Stussy x Dr. Martens loafers will be available from June 29 at Dr. Martens stores and online for $115 USD each.

Also take a look at the other collections by Stussy and Dr. Martens

L'articolo Unveiled the new collaboration Stussy x Dr. Martens sembra essere il primo su Wait! Fashion.

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Since the introduction of its VLTN logo last year, a game on an archival font, the Valentino brand has pushed so much into streetwear, which seems to suggest that the dress is a now extinct species. The ss19 collection by Pierpaolo Piccioli for Valentino took a further step forward, with such a heavy line of logos that left everyone speechless.

The lettering is the object of the letter addressed to new users of fashion. A cubist action that carves letters and glues them on fabrics as a philanthropic gesture for today’s fashion. Alongside this, a fuchsia pink VLTN logo crosses a pied-de-poule checkered coat, a camouflage zip jacket, jeans, a bucket hat and a leather belt bag. Other looks were characterized instead by logos borrowed from the Seventies foulard prints, which are combined with the designs of his women’s resort.

The silhouette is oversize. Bomber, camouflage cargo pants, sweatshirts and jeans: the Valentino street style is also worn with a bright, fluorescent and acid color palette.

The memories of the couture roots of the house were scattered everywhere: wings applied on a gray sweatshirt, hand-stitched palms on sweaters and embroidered ornaments on overalls and coats, not to mention sneakers with snap-tabs from which ostrich feathers sprout.

This season, Piccioli’s approach has been influenced by trap music, not because he personally likes this gritty genre, but because he talks to young people, including his 12-year-old daughter Stella.

As part of his new, more collaborative design method, he asked four of the front row guests, such as rappers Nas, A$AP Ferg, Keith Ape and female singer Syd, to designate their spiritual animals: a lion , panther, monkey and peacock, each of them, embroidered in four different looks.

The designer said he was trying to link Valentino’s couture values ​​with the way young people refer to fashion. “It’s not about designing, it’s not about creating fashion like we used to think about fashion, but they have a kind of more spontaneous relationship,” he explained.

The show raised a wider question. If customers increasingly dictate the production of luxury brands, what will the role of the designer be? Piccioli seems genuine in his desire to evolve with the times, but it would be a pity if, in this evolution, his voice was drowned.

L'articolo Valentino man SS19, elegance has gone out of fashion? sembra essere il primo su Wait! Fashion.

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Yes, now Virgil Abloh has done school. The deconstructed and re-built style is the prevailing trend in sneaker-world. But we rarely saw it applied so excellently on a sneaker brand beyond the collaboration of Nike X OFF-White. Instead, these Vans Vault CAP LXs are kicking out many snekaer lovers, collectors or simple Vans fans.

Vans, in fact, with the Vault line, presents these wonderful sneakers that reinterpret with irony and intelligence 2 great classics: the SK-8 Hi and the Slip-on. The Sk8 Hi have plenty of leather pieces, exposed stitching, a striking side zip, and the details of the logoed rubber normally placed on the heel, this time to the side shoe.

The slip-ons are a true ‘historical piece’ of Vans that has created a genre: in fact, they are sneakers without laces but which are fitted thanks to a front elastic band passing under the tongue. Here the provocation is that laces, have instead been inserted on these sneakers of Vans: just on the model that it was intended for the elimination. But here they reinstate without any real functional purpose: in fact they are useless, they are just a wonderful aesthetic detail.

The two models, Vans Vault CAP LX, are both available in black and marsh-mallow colors.

On sale at $ 100 Slip On and $ 115, SK8-Hi) have arrived and sold out immediately onHaven, Canadian store among our favorites.

Now we look forward to you in the stores of the old continent!

L'articolo All crazy for the Vans Vault Cap Lx ‘Nike x Off White style’ sembra essere il primo su Wait! Fashion.